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They do a big sale where everything is discounted twice a year, but at any given moment, they almost always have something on sale. Somebody mentioned sales being rare, and in my experience that isn't the case.
Uad plugins subscription full#
FWIW, I rarely pay full price for their plugins. 'Got spare lightbulbs in the cupboard?Īs one reply mentioned, a frequent criticism of UAD plugins is the high price tag. Redux: If you like the Apollo, I think you ought to buy a second unit. But on the one in a billion chance that the hard drive quit, I have a second machine at the ready, already set-up with identical DAW etc. well- probably not a concern with computers because failure points are accessible, power supply etc. I have not had recording computer fail, but. My concern is if there is a visiting artist from out of town, that sort of thing. I also use similar computers in both my rigs, so on some off-chance that the computer blew up, I could move a computer from one rig to the other. With analog gear you could fix or route around things onsite, but with digital, you are pretty much kaput if the unit acts up. I think if you are concerned at the level you express, and I think down-time is a legitimate concern, you ought to consider a second unit as backup gear.
Uad plugins subscription plus#
Combination DSP and audio interface is sleek and compact, compared to equivalent interface plus separate DSP card.
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Track through plugins with very low latency, compared to native.Wide range of very high quality effects.DSP preamp emulation is unique to UAD and seems quite useful.That said, my audio interfaces have limited DSP that I find very useful sometimes - RME UCX and RME Babyface have a great-sounding EQ that you can track and/or monitor through, and the UCX also has a comp/lim/gate/exp - so I can definitely see the appeal of the UAD stuff, because it offers a greater range of DSP.